Embrace Everything
I catch myself tumblin' everyday - online AND on the mats!
Embrace Everything
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deepwithinthedeadliestdarkness:

markaylaa:

k—swan:

avi0o0olaa:

This broke my heart

Omgggggggg

3
Permalink (146,656 notes)Source: prettygreenliesVia: lets-buy-some-sweaters
deepwithinthedeadliestdarkness: markaylaa: k—swan: avi0o0olaa: This broke my heart Omgggggggg 3

beautifullyundressed:

buphotography:

This was one of my all time favorite pictures I have taken in my few years of doing photography.

The point of this picture and the people with bags over their heads is to represent what society does to genders. First off, people assume gender by body type but in this picture you could have two transgendered people, one, both male, both female, or any other combination and we would still be the same… Human.

Now, women are victimized by wearing revealing clothing or not being afraid to show their bodies with pride as well as being comfortable with their sexuality, while a nearly nude male doing the exact same thing won’t be put down for showing off the body they have.

Regaurdless of what you take this message as, I just want everyone to realize that we are all the same kind and we are all unique. People have no right to judge another person by what they wear, or who they choose to be.

(For safety purposes on this picture I had taken a picture of this from my wall) 

© BU Photography 2013

Wow its at 60k and still going up (: thank you ^^

Permalink (72,177 notes)Source: buphotographyVia: beautifullyundressed
beautifullyundressed: buphotography: This was one of my all time favorite pictures I have taken in my few years of doing photography. The point of this picture and the people with bags over their heads is to represent what society does to genders. First off, people assume gender by body type but in this picture you could have two transgendered people, one, both male, both female, or any other combination and we would still be the same… Human. Now, women are victimized by wearing revealing clothing or not being afraid to show their bodies with pride as well as being comfortable with their sexuality, while a nearly nude male doing the exact same thing won’t be put down for showing off the body they have. Regaurdless of what you take this message as, I just want everyone to realize that we are all the same kind and we are all unique. People have no right to judge another person by what they wear, or who they choose to be. (For safety purposes on this picture I had taken a picture of this from my wall)  © BU Photography 2013 Wow its at 60k and still going up (: thank you ^^
Permalink (1,100 notes)Source: ellefranceskVia: midnightisaplace

beejutiful:

In Time by =dorkypyro

Permalink (71 notes)Source: beejutifulVia: beautifullyundressed
beejutiful: In Time by =dorkypyro
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Permalink (15 notes)Source: faarshdVia: luscacookie
Permalink (1,423 notes)Source: pierre-du-soleilVia: sunst0ne
"Don’t ever tell anybody anything. If you do, you start missing everybody."
J.D. Salinger, The Catcher in the Rye (via pierre-du-soleil)

ilungyou:

All sizes | Rattlesnake Ledge III | Flickr

Permalink (68 notes)Source: ilungyouVia: lidelse
ilungyou: All sizes | Rattlesnake Ledge III | Flickr
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childrenoftrees:

 

The Body in Nature: Unusually Beautiful Photographs

Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty.

Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken.

Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking:

“If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”

Permalink (10,321 notes) Source: visualnews.com Via: childrenoftrees
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
childrenoftrees:   The Body in Nature: Unusually Beautiful Photographs Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty. Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken. Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking: “If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
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tiredtalk:

morning after

thoughts about the impermanence of a hook up written in permanent marker in the places he touched

 by Lindsay Bottos

Permalink (48,688 notes) Source: tiredtalk Via: night-people
tiredtalk: morning after thoughts about the impermanence of a hook up written in permanent marker in the places he touched  by Lindsay Bottos
tiredtalk: morning after thoughts about the impermanence of a hook up written in permanent marker in the places he touched  by Lindsay Bottos
tiredtalk: morning after thoughts about the impermanence of a hook up written in permanent marker in the places he touched  by Lindsay Bottos
tiredtalk: morning after thoughts about the impermanence of a hook up written in permanent marker in the places he touched  by Lindsay Bottos